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Noah DeWald '20
Experimentation with natural forms and light.
2018
Photograph
By Noah DeWald '20
“I’ve loved you since the day I met you”
2023
Acrylic on Canvas
I painted a face digitally, and I like frames, angels, and rocket ships.
2020
Digital Art
Two girls, Cloud and Moon, are safe in space.
Photoshop
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.
Adobe Photoshop Illustration
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.
Oil paint, acrylic paint, and IUD on wood panel
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas
Androids may dream of electric sheep, and electric sheep …
doodle
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
Oil paint on paper
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
You have pomegranate trees in your backyard, well so do I. Your family can’t afford to live in the Bay Area, well neither can mine…You’re just like me
2024
Oil on canvas
It’s a shame if you did not get around time to see Hoover Tower in different lights.
An ongoing series attempting to create an emotive instant through color theory principles
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
A ghostly woman draped in a silk shawl and pearls.
Charcoal
I love the idea of a personal brand, especially in 2016.
2014
Color Film
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
*sixth photograph of Hidden Gems series
Series of Photographs
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
Oil paint on found wood