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Noah DeWald '20
Experimentation with natural forms and light.
2018
Photograph
By Noah DeWald '20
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
Link to Website
2016
Colored Pencil
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
2023
Acrylic on Paper
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
Episode 1 of an upcoming mystery micro-film series
2022
Short Film
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
Oil paint on canvas
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
Oil on canvas
As a landscape photographer, I like to see things in different light.
Photo with artistic editing
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
2020
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life. Duration: 05:05
Video Art
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
Mural
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
Photo
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
cloudy with a chance of love
Digital illustration