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Jenny Xiong '24
My artwork is a sonnet in which two stars reminisce about Earth. Link to Artwork
2023
Poem
By Jenny Xiong '24
This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope. Link to Artwork
Poetry
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
Link to Website
2024
Video Art
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
2019
Photograph/Scanned Image
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
Mixed Media: paper collage with ink and watercolor
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
Acrylic paint and multimedia on canvas
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
2021
Photography
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
2020
Acrylic gouache on Yupo Polypropylene Paper
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
Mixed Media
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
Digital Photograph
Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
Acrylic on Canvas
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
Digital illustration and collage
(No description)
2022
Watercolor on Paper
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
Collage & ink pen