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Jenny Xiong '24
My artwork is a sonnet in which two stars reminisce about Earth. Link to Artwork
2023
Poem
By Jenny Xiong '24
A sense of colorful peace
2018
painting on computer
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Link to Website
2019
Photography
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Oil Paint on Canvas
Taken while walking in my hometown of Washington, D.C.
2020
Photograph
Abstract photography with the goal of rendering mundane objects unrecognizable.
It’s a shame if you did not get around time to see Hoover Tower in different lights.
Photo
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
Oil paint and thread on canvas
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
Interactive narrative horror game/file explorer experience
Observing simple, everyday practices in a new country and being dumbfounded by them led me to write this piece on everyday norms and practices here Link to Artwork
Poetry
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
Digital Photographs
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
Watercolor on Paper
Bright orange poppies burst into the foreground framed by cool blue houses behind.
Oil paint on panel
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
monotype on paper
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
A sketched self-portrait replaced into its photographic context.
Graphite on Paper, Photograph
Location: Law School terrace
I painted a face digitally, and I like frames, angels, and rocket ships.
Digital Art