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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Hannah Cha '25

Undeclared 2025

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To my Mother’s Heart

Kimchi Jar: An Interactive Poem

Kimchi Jar: An Interactive Poem

Digital Future

Say Cheese!

At the Dinner Table

The Ritual

Hide and Seek

Crushed

Find the Light

Clout Chaser

Refresh Artwork
Close Modal
Melting Flesh

This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.

2022

3D animation (Blender)

By Laia Bent '25
Clyde

This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!

2016

Colored pencil

By Angela Liu '23
Don’t Stare

This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.

2023

Oil and Acrylic Paint on Canvas

By Emily Zhang '26
Figure 57

This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.

2014

fine-tip pen and watercolor on paper

By Noah DeWald '20
Tree

This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.

2018

Watercolor and black ink

By Alejandro Poler '19
Lassie

I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.

2019

By Gunner Dongieux '21
Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19
Waste Mismanagement

A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.

2019

Digital illustration and collage

By Elaine Park '21
Phone Handscapes

The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.

Link to Website

2019

iPhone photographs, collaged on Photoshop

By Katie Han '23
Gotham (Lower East Side, New York City)

every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it

2018

Acrylic on Canvas

By Vedika Kanchan '23
Rainbow Hoover

A vivid rainbow above the hoover tower

2017

Photograph of nature

By Itamar Orr '19
Riven

An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.

2017

Digital Visual Art

By Andrew Lesh '19
Misfit Photography

Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.

2019

Nature Photography

By Renata Starbird '21
Self-portrait

While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.

2017

Photograph

By Julianna Yonis '21
California Dreaming: Echoes of Change through Analog Film

Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.

Link to Website

2020

Analog Film

By May Levin '24
Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
exhausted

She wipes the mask off after a long day.

2018

Photoshop

By Angela He '21
Look Behind You

Impressions of animal magnetism and the collective unconscious.

2017

Digital Visual Art

By Andrew Lesh '19
VCA

v.c.a – an ongoing project and exploration of visual communication through abstraction

2016

Graphic Design

By Tyler Su '20
Flowers II

I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!

2014

Oil on canvas

By Shin Mei Chan '18
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