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Lily Thai '27
A faceless woman in a room of South Vietnamese soldiers
2022
Graphite on Paper
By Lily Thai '27
Location: Lathrop 24/7 Study Room
Digital Illustration
Contemplating place in the West, while memories of home in the South persist.
2018
Acrylic on Canvas 40 x 30 in
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
Link to Website
2017
code poems
I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.
Acrylic paint on canvas
This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.
Adobe Photoshop Illustration
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
A classic San Francisco house is bathed in orange light at sunset.
Oil paint on panel
You have pomegranate trees in your backyard, well so do I. Your family can’t afford to live in the Bay Area, well neither can mine…You’re just like me
2024
Oil on canvas
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
2019
Oil on Canvas
This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
acrylic on wood
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
2020
An abstract perspective of a cityscape.
Water Color on Paper
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
Acrylic on canvas, some collage from a news story
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
Oil paint on canvas
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
3D animation (Blender)
This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.
2014
Color Film