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Annie Ng '20
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
2017
Ink on Paper
By Annie Ng '20
A mother lamb takes gentle care of her newborn.
2019
Oil Paint on Canvas
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
2018
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Photo
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
Ink and print on wood
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
Link to Website
2022
Photography
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
2021
Acrylic Paint on Canvas
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
Photograph
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
Digital Photographs
Location: Lathrop 24/7 Study Room
Digital Illustration
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
2020
Vector drawing and photography
Location: East Asia Library
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
2016
Digital Photograph
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
Oil and Acrylic Paint on Canvas
Location: Main Quad