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Annie Ng '20
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
2017
Ink on Paper
By Annie Ng '20
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
Oil paint and paper on paper
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
2018
Graphite and watercolor on paper
Art reveals souls in day and night.
A dynamic clash, emotions entwined,
In this vibrant realm, our spirits aligned.
2024
Digital Media – Made with Procreate for Apple iPad
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
Knowledge allows the mind to bloom.
2022
Digital Illustration
Location: Main Quad
2023
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
Link to Website
2021
Acrylic Paint on Canvas
This 3D, interactive piece represents my relationship with my immigrant other due to the shifting pressures of assimilation.
Interactive 3D animation installation
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
[how I avoid winter quarter: experiments with colors and a palette knife]
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
Acrylic and Collage on Canvas 30 x 40 in
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
2020
acrylic on cardboard
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
Photograph
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
2019
Acrylic on Canvas
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
A commentary on the fifth stage of grief: acceptance.
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
Charcoal and Mixed Media on Salvaged Cotton and Organza
A study on ephemeral hands, and an attempt to capture desperate grasping.
Gesso on card.