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Cairo Mo '20
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
2018
Oil paint on canvas
By Cairo Mo '20
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
2017
acrylic on wood
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
Oil paint and paper on paper
Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.
2016
Black and White photography
This is the place no one would want to miss.
Photo
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
Colored pencil
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
Oil Paint on Canvas
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
Installation: printed plastic sheeting (pictorico), fishing wire
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.