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Victoria Lin '27
How do you heal after being discarded?
2021
Acrylic on Canvas
By Victoria Lin '27
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
2016
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
Self portrait at the height of COVID and my own extraordinary depression.
Oil paint on canvas
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
A commentary on the fifth stage of grief: acceptance.
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
Link to Website
Boulder & Rope
Contemplating place in the West, while memories of home in the South persist.
2018
Acrylic on Canvas 40 x 30 in
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
Black & white photography
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
2017
acrylic on wood
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
Watercolor and black ink
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
2019
Oil paint on Canvas
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
Digital Visual Art
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
Watercolor
Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students
Digital photography prints
Shriram California photos
Digital photographs
I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.
Colored Pencil on Paper, Digital
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
Series of Photographs