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Victoria Lin '27
How do you heal after being discarded?
2021
Acrylic on Canvas
By Victoria Lin '27
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.
Link to Website
2016
Guitar recording with electronic drums and synths
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
Acrylic, charcoal, and india ink on paper
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
2017
Watercolor and Pencil
This image plays with scale, texture, and the physicality of water.
Color Film
2020
Oil on Canvas
This piece is a manipulated photograph printed on metal.
Mixed Media on Metal
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
2022
Oil on canvas
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
2018
Acrylic and Collage on Canvas 30 x 40 in
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
Photograph of Athletics
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
Digital photography
History is tied to humanity. There is something heartening about a city that takes pride in its past.
acrylic on canvas
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
Roses bloom from her cuts.
Photoshop
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
Oil Paint on Canvas
February is a gray month, but these flowers bloomed anyway. Link to Artwork
2024
sublimation print on synthetic blue satin
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
Digital Photograph
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
A sketched self-portrait replaced into its photographic context.
Graphite on Paper, Photograph