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Victoria Lin '27
How do you heal after being discarded?
2021
Acrylic on Canvas
By Victoria Lin '27
Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.
2019
Acrylic on canvas
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
August on my family’s ranch in Jalisco, México.
Link to Website
2017
Environmental Photographs
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
2018
Digital Photograph
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
2022
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
Oil Paint on Canvas
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium. Link to Artwork
2024
print
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
Charcoal and Pencil on Paper
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
Oil on Canvas
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
Acrylic Paint on Canvas
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
Linoleum Block Print on Paper
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Analog Film
A fantastical city illustrating a water-based transportation system.
Digital painting
Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓
Photoshop