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Victoria Lin '27
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
By Victoria Lin '27
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
Location: Main Quad
2023
Digital Illustration
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
Acrylic Paint on Canvas
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Link to Website
Oil on canvas
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
2022
Oil paint on canvas
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
This image plays with scale, texture, and the physicality of water.
Color Film
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
2018
Blender 3D Render
A medium exploration of painting on windows screens.
window screens, oil paint
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
2014
This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.
2017
Adobe Photoshop Illustration
De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
Acrylic on canvas
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
Mixed Media: paper collage with ink and watercolor
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Photography
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
Photograph of a physical collage (paper, printed image)
Impressions of animal magnetism and the collective unconscious.
Digital Visual Art