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Victoria Lin '27
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
By Victoria Lin '27
A portrait of a good dog who has traveled a very long way.
2020
Acrylic Paint on Canvas
Girl has a moment of clarity when her head is in the clouds.
2018
Photoshop
Episode 1 of an upcoming mystery micro-film series
Link to Website
2022
Short Film
Night is when the imagination comes alive.
Digital Illustration
Impressions of animal magnetism and the collective unconscious.
2017
Digital Visual Art
This short film was submitted as part of my arts portfolio for my Stanford application
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
This image plays with scale, texture, and the physicality of water.
Color Film
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
2023
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
Linoleum Block Print on Paper
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life. Duration: 05:05
Video Art
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Photo
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
Gouache on Paper
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
Photograph of Man in Paris
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
Hide my anger behind flowers // my anxiety behind moths // my sadness behind â–“â–“â–“