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Victoria Lin '27
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
By Victoria Lin '27
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Link to Website
2016
Still from a web series
Lucky to witness a green Dish.
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
Black & white photography
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
2023
3D Arduino installation, interactive poetry
August on my family’s ranch in Jalisco, México.
Environmental Photographs
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
2022
Oil paint on canvas
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
Digital Collage
No Description
Watercolor on Paper
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
Taken while walking in my hometown of Washington, D.C.
2020
Photograph
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
Collage & ink pen
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
Photograph of Man in Paris
Serenity from within results from letting go.
2014
Watercolor
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
Oil on canvas
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
Algorithmic Art made with Processing
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
Acrylic Paint on Canvas