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Victoria Lin '27
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
By Victoria Lin '27
Two girls, Cloud and Moon, are safe in space.
2018
Photoshop
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
Location: Main Quad
2020
Digital Illustration
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
Oil paint on canvas
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
A fantastical city illustrating a water-based transportation system.
Digital painting
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
machine embroidery on cotton fabric
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
Link to Website
Flash Fiction and Digital Illustration
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
Oil Paint on Canvas
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
Acrylic Paint on Canvas
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
2022
Interactive Digital Work
This is the place no one would want to miss.
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
Photograph of Performance (solo play)
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
Oil paint on paper
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
Collage & ink pen
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
acrylic on cardboard