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Lining Sun '18
This is the place no one would want to miss.
2017
Photo
By Lining Sun '18
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
2016
acrylic on canvas
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
Oil paint and paper on paper
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Link to Website
2020
Photography Series
This is a portrait of a cat whom I love and cherish.
Oil on canvas
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
Wax Pastel on Wood
Lucky to witness a green Dish.
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
Collage, ink pen
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
Photograph
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
Reflective watercolor painting after a trip to Tokyo.
Watercolor
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
A portrait of a good dog.
Acrylic Paint on Canvas
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper
Serenity from within results from letting go.
2014
These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
2018
Photograph of campus scenes