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Lining Sun '18
This is the place no one would want to miss.
2017
Photo
By Lining Sun '18
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
2016
Acrylic Paint on Canvas
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
Ink Resist on Paper
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
This 3D, interactive piece represents my relationship with my immigrant other due to the shifting pressures of assimilation.
Link to Website
2023
Interactive 3D animation installation
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
Oil paint on paper
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
2018
Oil on canvas
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
generational echos is an interactive art piece created using Processing, delving into the deeply ingrained cultural values in Vietnamese society.
Interactive Video Installation
History is tied to humanity. There is something heartening about a city that takes pride in its past.
acrylic on canvas
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
Wood sculpture
A study on ephemeral hands, and an attempt to capture desperate grasping.
Gesso on card.
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Photographs
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
2021