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Lining Sun '18
This is the place no one would want to miss.
2017
Photo
By Lining Sun '18
This is a photo taken in the Main Quad.
2018
This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.
Oil paint on canvas
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
This is a portrait of a cat whom I love and cherish.
2019
Oil on canvas
A mother lamb takes gentle care of her newborn.
Oil Paint on Canvas
A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.
2021
Wood Sculpture
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.
Acrylic Paint on Canvas
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
2020
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
Link to Website
song / soundscape
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
Collage, ink pen
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
This piece is a manipulated photograph printed on metal.
Mixed Media on Metal
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
Two girls, Cloud and Moon, are safe in space.
Photoshop
An ongoing series attempting to create an emotive instant through color theory principles
Acrylic on Canvas
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
Photograph