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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Roble Arts Gym - New Student Orientation. Photo by Lauren Dyer '16

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Interdisciplinary Arts

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Flowers II

I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!

2014

Oil on canvas

By Shin Mei Chan '18
People I Met Last Year

These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.

2018

Oil on canvas

By Cathy Yang '20
Dinner, Party

(No description)

2022

Watercolor on Paper

By Lily Thai '27
Clout Chaser

A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.

Link to Website

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Figure 57

This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.

2014

fine-tip pen and watercolor on paper

By Noah DeWald '20
My Boy

How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?

2022

Acrylic on canvas

By Victoria Hill '20
Lagunita

I am lucky enough to witness Lagunita being a real lake.

2017

Photo

By Lining Sun '18
Sea Slug, Giant Green Anemone, Starfish Scene

These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”

2024

Sea Slug is a woodcut and the other two are etchings.

By Will Pangburn '29
America – You Confusing Beauty

Observing simple, everyday practices in a new country and being dumbfounded by them led me to write this piece on everyday norms and practices here
Link to Artwork

2022

Poetry

By Shlok Sampat '24
Nino

A portrait of a good dog who has traveled a very long way.

2020

Acrylic Paint on Canvas

By Anneke Claypool '21
Bioluminescence

Mimicking the beauty of bioluminescence.

Link to Website

2022

Digital Photography

By Katie Han '23
Sunset Studying 2

Location: East Asia Library

2021

Digital Illustration

By Helen He '23
Black Liberation Month Community Mural

This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”

2023

Acrylic on Paper

By Sky Walker '24
Portrait of a Queer Person

Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.

2022

Acrylic Paint on Wood

By Aileen Rubio '26
Symbiosis

The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.

2017

Laser Cut Birchwood

By Kimberly Te '20
Misfit Photography

Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.

2019

Nature Photography

By Renata Starbird '21
Ebb

This image plays with scale, texture, and the physicality of water.

2016

Color Film

By Chase Porter '17
At the Dinner Table

My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Divination Is In Our Hands Now

Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.

2018

Digital Photographs

By Kevin Chappelle '19
Study of Rodin Bust

This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.

2018

Charcoal, white chalk on toned paper

By Noah DeWald '20
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