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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Last Light on Haight St

A classic San Francisco house is bathed in orange light at sunset.

2022

Oil paint on panel

By Christina Kent '22
Life Like Weeds nos. 2 & 3… Archimedean Solids or The Passage from Virgin to Bride… Eternal Sunshine or The Bride Laid Upon the Altar… In Fifteen Minutes Everyone Will Be Famous

These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.

2019

Collage, ink pen

By Kyle Cromer '20
VCA

v.c.a – an ongoing project and exploration of visual communication through abstraction

2016

Graphic Design

By Tyler Su '20
Portrait of a Glass, Empty (2020); Barriers (2021)

Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.

2021

Acrylic on canvas, some collage from a news story

By Vrinda Suresh '21
Misfit Photography

Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.

2019

Nature Photography

By Renata Starbird '21
Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21
Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23
Childhood Silence

This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.

2016

acrylic on canvas

By Helena Zhang '22
Ocean View

Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.

2018

Adobe Photoshop Illustration

By Helen He '23
Oxymoron

“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast.
Link to Artwork

2024

Watercolors and inkpen on mixed media paper

By Lavinia Pedrollo '28
It’s a brilliant surface in that sunlight

I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.

2015

Digital Photograph

By Cora Cliburn '19
Nostalgia

This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.

2017

Oil Paint on Canvas

By Francesca Colombo Colombo '19
Sea Slug, Giant Green Anemone, Starfish Scene

These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”

2024

Sea Slug is a woodcut and the other two are etchings.

By Will Pangburn '29
Sunset Studying 1

Location: Law School terrace

2020

Digital Illustration

coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21
What We Build

Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.

2019

Adobe Photoshop Illustration

By Helen He '23
Queer Intimacy

These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.

2022

Wood sculpture

By Bryan Defjan '24
Kimchi Jar: An Interactive Poem

This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.

Link to Website

2023

3D Arduino installation, interactive poetry

By Hannah Cha '25
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