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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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BAGUETTE!

Episode 1 of an upcoming mystery micro-film series

Link to Website

2022

Short Film

By Leeth Singhage '26

hide my emotions

Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓

2018

Photoshop

By Angela He '21

Harbor

These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.

2019

Digital Photographs

By Laura Anderson '21

Hoover Tower Day and Night

It’s a shame if you did not get around time to see Hoover Tower in different lights.

2018

Photo

By Lining Sun '18

La Honda Mushroom

This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.

2018

Photography

By Nicholas Robles '20

Sunset Studying 2

Location: East Asia Library

2021

Digital Illustration

By Helen He '23

Still Life of a Support System

Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.

2024

Oil on Canvas

By Bryan Defjan '24

Ducks of Stanford

Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students

2018

Digital photography prints

By Soraya Fereydooni '20

Golfing on a Grassy Ground

This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.

2018

Photograph of Athletics

By Christian Ostberg '20

night

An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.

2017

Oil paint and paper on paper

By Cairo Mo '20

end.

Roses bloom from her cuts.

2018

Photoshop

By Angela He '21

Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.

2020

Scanned magazine collage, colour pencils, and pen on Sketchbook

By Crystal Chen '22

primavera sin cueva

This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.

2024

Four color Riso print

By Galia Santana-Oikawa '25

Eyes Over

This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)

2015

Acrylic on Canvas

By Noah DeWald '20

Hide and Seek

I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.

2021

Acrylic Paint on Canvas

By Hannah Cha '25

A Matter of Time

A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.

2019

Acrylic on Canvas

By Sarah Dong '26

I’m looking at you

The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.

2023

machine embroidery on cotton fabric

By Daniel Richman '27

Untitled

A faceless woman in a room of South Vietnamese soldiers

2022

Graphite on Paper

By Lily Thai '27

Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By Jessica Yeung '21

Ahina (Juhu, Mumbai – Home)

This painting is in honor of Ahina and all the women that spend years wishing for a day at school.

2017

46″ x 32”

By Vedika Kanchan '23
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