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Han Dao '26
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
Link to Website
2024
Video Art
By Han Dao '26
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.
2017
Digital Visual Art
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.
Oil on Canvas
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
2018
Photograph
Quad is always changing amazingly.
Photo
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
Acrylic Paint on Canvas
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
2022
Abstract photography with the goal of rendering mundane objects unrecognizable.
Photography
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
Acrylic on Canvas
“I’ve loved you since the day I met you”
2023
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Graphite on Paper
Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students
Digital photography prints
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
Oil on canvas
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Warm summer portrait of girl reading.
Photoshop
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
acrylic on wood