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I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
By Dayeeta Pal '27
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
2019
By Gunner Dongieux '21
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
By Connor Gilmore '21
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
By Malavika Kannan '24
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
By Marie Bland '23
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
By Lining Sun '18
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
By Katherine Yang '20
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
By Helen He '23
These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
2018
Photograph of campus scenes
By Khuyen Le '21
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
2023
Oil paint on canvas
By L. Song Wu '24
A fantastical city illustrating a water-based transportation system.
2020
Digital painting
By Catherine Mullings '22
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
2016
Still from a web series
By Katie Adams '17
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
By Laura Anderson '21