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Katie Han '23
Mimicking the beauty of bioluminescence.
Link to Website
2022
Digital Photography
By Katie Han '23
The ocean stirs the heart, inspires the imagination and brings eternal joy to the soul. –Robert Wyland
2023
Digital Media – Made in Procreate for Apple iPad
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
2021
Photography
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
Oil paint on canvas
This is a portrait of a cat whom I love and cherish.
2019
Oil on canvas
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
Mural
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
This piece is a manipulated photograph printed on metal.
Mixed Media on Metal
This painting is a depiction of my first month here at Stanford.
Water Color on Paper
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Graphite on Paper
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
2017
Digital Collage
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
2016
Digital Photograph
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
acrylic on canvas
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
Photograph
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
Oil paint and thread on canvas
She wipes the mask off after a long day.
Photoshop
I painted a face digitally, and I like frames, angels, and rocket ships.
2020
Digital Art
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration