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Katie Han '23
Mimicking the beauty of bioluminescence.
Link to Website
2022
Digital Photography
By Katie Han '23
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
2024
Video Art
How do you heal after being discarded?
2021
Acrylic on Canvas
Taken at Jasper Ridge Biological Preserve during one of the field trips of MI 70Q: Photographing Nature.
2019
Photograph
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
Oil paint on canvas
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
2018
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
2020
Photography
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
2017
Charcoal and Pencil on Paper
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
Mixed Media
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
Graphite and watercolor on paper
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Photo
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
Acrylic Paint on Canvas
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
Mice own your belongings at night.
Charcoal Pencil on Paper
This 3D, interactive piece represents my relationship with my immigrant other due to the shifting pressures of assimilation.
2023
Interactive 3D animation installation
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.