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Katie Han '23
Mimicking the beauty of bioluminescence.
Link to Website
2022
Digital Photography
By Katie Han '23
A colorful view of buildings and the sky over Florence (Firenze).
2014
Oil Paint on Canvas
Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓
2018
Photoshop
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.
2023
Oil on Canvas
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
iPhone photographs, collaged on Photoshop
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
You have pomegranate trees in your backyard, well so do I. Your family can’t afford to live in the Bay Area, well neither can mine…You’re just like me
2024
Oil on canvas
Continuation of After Class Hours.
Digital Illustration
Silhouette of a black woman, breathing her way through.
Acrylic on Canvas
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
Algorithmic Art made with Processing
Mice own your belongings at night.
2016
Charcoal Pencil on Paper
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
2021
Projection Installation
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
Pen & Ink Drawing on Bristol Paper