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The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
By Elaine Park '21
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
2018
Acrylic on canvas
By Mikaela Berkeley '20
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
You have pomegranate trees in your backyard, well so do I. Your family can’t afford to live in the Bay Area, well neither can mine…You’re just like me
2024
Oil on canvas
By Aileen Rubio '26
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
By Elias Gálvez-Arango '
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
2018
Oil Paint on Canvas
By Lorena Diosdado '21
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
2016
Charcoal on paper; flame on tracing paper
By Zhanpei Fang '19
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
2019
Digital illustration and collage
By Elaine Park '21
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
2019
By Gunner Dongieux '21
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
By Syd Westley '21
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
By Clementine Chou '20
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
By Janice Li '24
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
2020
Acrylic Paint on Canvas
By Sarah Dong '26
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
2023
machine embroidery on cotton fabric
By Daniel Richman '27