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Student Artist
Political Science 2019 @rjwillscheidt
v.c.a – an ongoing project and exploration of visual communication through abstraction
2016
Graphic Design
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
2017
Ink on Paper
Location: East Asia Library
2021
Digital Illustration
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
2018
Digital Photograph
A watercolor painting of Stanford Campus
Link to Website
2023
Acrylic Painting
This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.
2024
Four color Riso print
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
Photograph
Continuation of After Class Hours.
2020
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
Wax Pastel on Wood
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas
An abstract perspective of a cityscape.
Water Color on Paper
Location: Main Quad
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
Blender 3D Render
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
Oil on Canvas
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
Flash Fiction and Digital Illustration
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
Oil Paint on Canvas
I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art