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Student Artist
Political Science 2019 @rjwillscheidt
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
2020
Oil Paint on Canvas
My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.
2023
Oil paint, acrylic paint, and IUD on wood panel
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
2022
Oil on canvas
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
2018
Graphite and watercolor on paper
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
Ink and print on wood
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
Link to Website
Photography
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
Linoleum Block Print on Paper
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
Digital
This 3D, interactive piece represents my relationship with my immigrant other due to the shifting pressures of assimilation.
Interactive 3D animation installation
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
Photograph
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
2016
Acrylic Paint on Canvas
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
Charcoal on paper; flame on tracing paper
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
Digital Photograph