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Anneke Claypool '21
A portrait of a good dog.
2020
Acrylic Paint on Canvas
By Anneke Claypool '21
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
Pen and Ink
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
A classic San Francisco house is bathed in orange light at sunset.
2022
Oil paint on panel
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
2018
Acrylic on Canvas
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
Wood sculpture
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
Paper Maps on Cardboard
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
Link to Website
3D Arduino installation, interactive poetry
De-identified photograph taken for artistic purposes with permission from anatomy professors.
Photograph
This painting is in honor of Ahina and all the women that spend years wishing for a day at school.
2017
46″ x 32”
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
Ink and print on wood
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
acrylic and mixed media
(Work in progress) Monstera in grayscale w/ orchre yellow stems
2024
Oil on Canvas
cloudy with a chance of love
It’s a shame if you did not get around time to see Hoover Tower in different lights.
Photo
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
Serenity from within results from letting go.
2014
Watercolor