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Student Artist
Chemical Engineering/PhD 2028 @hands.and_lines
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
Link to Website
2021
Acrylic Paint on Canvas
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
A sense of colorful peace
2018
painting on computer
cloudy with a chance of love
2020
Digital illustration
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
Series of Photographs
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
2024
Gouache on Paper
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
Colored pencil
It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.
2017
Acrylic on Paper
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
Digital Photograph
Quad is always changing amazingly.
Photo
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
Flash Fiction and Digital Illustration
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
Wood sculpture
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
Location: Lathrop 24/7 Study Room
De-identified photograph taken for artistic purposes with permission from anatomy professors.
It’s a shame if you did not get around time to see Hoover Tower in different lights.
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
Graphite and watercolor on paper
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
MultiMedia(Charcoal and Colored Pencil)