View Public Art
Saturday, October 26
Buy tickets
Start Making
By Topic
Career Pathways
Other Opportunities
Learn More
About Us
People
Connect with us
Leeth Singhage '26
Episode 1 of an upcoming mystery micro-film series
Link to Website
2022
Short Film
By Leeth Singhage '26
Quad is always changing amazingly.
2017
Photo
Warm summer portrait of girl reading.
2018
Photoshop
This is about alienation and emotional expression as a stone, cold figure looks blankly to a wall of artificial expressions in a room.
2021
Digital 3D Render
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
Oil paint on canvas
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.
gouache on paper
Mimicking the beauty of bioluminescence.
Digital Photography
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
Acrylic on Canvas
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
2023
Oil and Acrylic Paint on Canvas
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
Serenity from within results from letting go.
2014
Watercolor
This is a picture of the hub of the city getting reflected in the river water.
Acrylic Paint on Canvas
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
MultiMedia(Charcoal and Colored Pencil)
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
Oil paint on panel
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
Digital Photograph
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
A collection of 8 poetic pieces that pull from, build upon, and draw inspiration from the Brown queer experience of a drag artist at a PWI. Link to Artwork Link to Website
2024
Collection of Poetry
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″