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A surreal portrayal of the cost of modern designer fashion culture.
2015
Scratchboard
By Noah DeWald '20
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
By Alejandro Poler '19
A light spring shower wakes the soul.
Inspired by the Adobe MAX + Inktober 2018 October 15th Prompt: light.
2019
Photoshop
By Tianxing Ma '19
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
2022
Photography/digital collage
By Vrinda Suresh '21
[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
By Meg McNulty '20
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
By Aileen Rubio '26
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
By Saanvi Bhatia '27
Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.
2019
Acrylic on canvas
By Julia Gillette '20
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
Digital Illustration
By Felicity Huang '25
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
By Meagan Wu '18
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
By Robin Willscheidt '19
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
2023
machine embroidery on cotton fabric
By Daniel Richman '27
Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.
2018
Adobe Photoshop Illustration
By Helen He '23
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24