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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Noah DeWald '20

Product Design 2020 @nwahd

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Vanishing Act II

Mourning Window

Tree Study I

Memory

Spin

Untitled Cacti

Eyes Over

Ozymandias

Designer

Figure 57

Cattle Soul

David

Ritual

Study of Rodin Bust

Sky River

Figure 57

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I’m looking at you

The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.

2023

machine embroidery on cotton fabric

By Daniel Richman '27

Sunset at Sutro Baths

A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.

2022

Oil paint on canvas

By Christina Kent '22

Transparency

A commentary on the fifth stage of grief: acceptance.

2021

Acrylic on Canvas

By Victoria Lin '27

The Cat and the Fish

A cat in a Japanese restaurant.

2019

3D computer graphics

By Yifei He '22

Visitor I

This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)

2023

Oil paint on canvas

By L. Song Wu '24

BLOOD IN THE SAND: LIVES LOST IN THE FIGHT FOR SOUTH AFRICA’S RHINOS

Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.

Link to Website

2016

Photographs

By Kinjal Vasavada '17

The Ritual

My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.

2020

Acrylic Paint on Canvas

By Hannah Cha '25

Best Value

This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.

Link to Website

2023

Acrylic on Canvas

By Sharon Zhang '27

Internal Reflections

This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.

2018

Oil Paint on Canvas

By Lorena Diosdado '21

Quarantine Paintings

These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.

2020

gouache (two images combined digitally)

By Katie Han '23

exhausted

She wipes the mask off after a long day.

2018

Photoshop

By Angela He '21

Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25

Portrait of Queer Person

The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body

2022

Acrylic paint on canvas

By Aileen Rubio '26

People I Met Last Year

These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.

2018

Oil on canvas

By Cathy Yang '20

Wilting tree

I wanted to render a tree during a vibrant morning on The Farm from a design perspective.

2016

Ink Resist

By Brooke Ferber '20

Sea Slug, Giant Green Anemone, Starfish Scene

These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”

2024

Sea Slug is a woodcut and the other two are etchings.

By Will Pangburn '29

Bloom

Knowledge allows the mind to bloom.

2022

Digital Illustration

By Felicity Huang '25

end.

Roses bloom from her cuts.

2018

Photoshop

By Angela He '21

Green Library

As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18

Genesis

This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.

2016

Wax Pastel on Wood

By Lia "Bear" Kim '21
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