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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Chocolate Heads perform Chocolate Ball for Polymaths. A performance of dance, music, and book art created for the opening of "Leonardo's Library: The World of the Renaissance Reader" in the Green Library Rotunda.

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Sea Glass

Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.

2023

Art book

By Chloe Chang '25
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23
Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25
City

An abstract perspective of a cityscape.

2021

Water Color on Paper

By Dayeeta Pal '27
Flames

A study on ephemeral hands, and an attempt to capture desperate grasping.

2014

Gesso on card.

By Katherine Yang '20
Amboseli

Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.

2016

Acrylic Paint on Canvas

By Angela Liu '23
Maasai Warriors

I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.

2016

Charcoal

By Angela Liu '23
Phone Handscapes

The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.

Link to Website

2019

iPhone photographs, collaged on Photoshop

By Katie Han '23
Moss Landing

Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.

2017

Watercolor and Pencil

By Alberto Arvayo '18
Picturing Persian Poetry

Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.

2016

Black and White photography

By Soraya Fereydooni '20
Figure 57

This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.

2014

fine-tip pen and watercolor on paper

By Noah DeWald '20
Detritus

How do you heal after being discarded?

2021

Acrylic on Canvas

By Victoria Lin '27
Untitled

This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.

2017

Digital Collage

By Delaney Rua '20
Green Library -3

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2018

Photo

By Lining Sun '18
Girl, Boy, Beautiful

This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.

2019

Photograph/Scanned Image

By Jacqueline Garcia Peraza '21
America – You Confusing Beauty

Observing simple, everyday practices in a new country and being dumbfounded by them led me to write this piece on everyday norms and practices here
Link to Artwork

2022

Poetry

By Shlok Sampat '24
Keyword Poetry

A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.

Link to Website

2017

code poems

By Stephanie Niu '19
VCA

v.c.a – an ongoing project and exploration of visual communication through abstraction

2016

Graphic Design

By Tyler Su '20
GROWTHesque

This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’

Link to Website

2023

Photograph of Performance (solo play)

By Leeth Singhage '26
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