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Student Artist
Undeclared 2021 @brianmwin
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
2020
Acrylic Paint on Canvas
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
Link to Website
2024
Video Art (with sound)
She wipes the mask off after a long day.
2018
Photoshop
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
oil on cnavs
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
2023
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
2017
Charcoal and Pencil on Paper
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
Sculpture
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
2019
Oil on Canvas
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
Nature Photography
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
Oil Paint on Canvas
I love the idea of a personal brand, especially in 2016.
2014
Color Film
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Analog Film
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
Photograph
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
A study on ephemeral hands, and an attempt to capture desperate grasping.
Gesso on card.
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
2022
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
Acrylic tube, yarn, metal hardware, wood, epoxy resin