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Student Artist
Undeclared 2021 @brianmwin
This is the place no one would want to miss.
2017
Photo
Quad is always changing amazingly.
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Link to Website
2016
Photographs
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.
Oil on Canvas
BEAM Stanford-related photos
Digital photographs
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
2024
Video Art (with sound)
A vivid rainbow above the hoover tower
Photograph of nature
Winter 2017, I wrote my first song, ‘Something You Should Know’. After working on the lyrics, production and recording for two years here it is!
Song available on all streaming platforms (spotify, apple music)
A Joshua Tree, with its grotesque appearance, instantly demands attention.
2018
Photograph of Landscape
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
Cool portrait of girl trying to keep in her tears.
Photoshop
I was looking for a subject I could depict using my new ink pens, and this sculpture was perfect because it included lots of shadows and some colors.
Ink Pen
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
Taken while walking in my hometown of Washington, D.C.
2020
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
Acrylic and Collage on Canvas 30 x 40 in
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
Watercolor on Paper
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas