Student Artist
Kea Kahoilua Clebsch '26
Art practice 2026 @keas.art
Public Art Installations
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Suspended (Acropolis, Athens)
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
By Vedika Kanchan '23
Post-Election Blues
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
By Bryan Defjan '24
Genesis
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
2016
Wax Pastel on Wood
By Lia "Bear" Kim '21
Sonic Ovum
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink.
Link to Artwork
2020
colored pencil, poetry
By Sam Howell Petersen '23
from now on
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
By Katie Han '23
window/windows
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
2017
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
By Vivienne Le '19
Green Library
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Phone Handscapes
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
2019
iPhone photographs, collaged on Photoshop
By Katie Han '23
Figure 57
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
By Noah DeWald '20
Gotham (Lower East Side, New York City)
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
2018
Acrylic on Canvas
By Vedika Kanchan '23
Green Library -2
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
self – portrait
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Stanford through an artist’s eyes
Yanofsky’s Legacy
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
2018
Photograph
By Suzanne Ou '23
one foot in the water
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
2016
Oil on canvas
By Vivienne Le '19
Hidden Gems
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
By Laura Anderson '21
Portrait of a Queer Person
Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.
2022
Acrylic Paint on Wood
By Aileen Rubio '26
EXPLOSIONS
This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
By Constantinos Gallis '24
A Hand To Hold (World)
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
2018
Acrylic paint and multimedia on canvas
By Jorie Coe '22