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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Anushikha Anushikha '25

MS in MS&E 2025 @https://www.instagram.com/hues_and_more/

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Stanford through an artist’s eyes

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Night Owl

Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.

2019

Acrylic on canvas

By Julia Gillette '20
Clarice

Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.

2020

Oil Paint on Canvas

By Sreya Halder '23
Queer Intimacy

These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.

2022

Wood sculpture

By Bryan Defjan '24
La Belleza Italiana

These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).

2017

Pen and Marker

By Ashi Agrawal '19
Cityscapes and Scenes

I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.

2022

Watercolor

By Dayeeta Pal '27
Photos of Old Beijing

These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.

2019

monotype on paper

By Cathy Yang '20
More Than A Living Goddess

Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.

2022

Graphite

By Nisha Acharya '26
Digital Future

This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
Submersion

Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.

Link to Website

2015

Acrylic Paint on Canvas

By Meagan Wu '18
Tidal Dance ⋆.˚ ☼⋆ 。 ˙༄.°

The ocean stirs the heart, inspires the imagination and brings eternal joy to the soul. –Robert Wyland

2023

Digital Media – Made in Procreate for Apple iPad

By Lavinia Pedrollo '28
Exotic Oriental Murder Mystery!

This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?

2017

Ink and print on wood

By Olivia Popp '20
Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21
Burnout

This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.

2020

Digital Illustration

By Felicity Huang '25
Two versions of my favorite picture of the church

As a landscape photographer, I like to see things in different light.

2016

Photo with artistic editing

By Lining Sun '18
Genesis

This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.

2016

Wax Pastel on Wood

By Lia "Bear" Kim '21
Storytime

I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.

Link to Website

2020

song / soundscape

By Elias Feierabend-Peters '20
Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
cloudy with a chance of love

cloudy with a chance of love

2020

Digital illustration

By Elaine Park '21
Stanford

This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.

2018

Markers on paper

By Alejandro Poler '19
Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By Meg McNulty '20
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