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This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
2020
Pen and Ink
By Sarah Dong '26
It’s a shame if you did not get around time to see Hoover Tower in different lights.
2018
Photo
By Lining Sun '18
Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.
2019
Blender 3D render
By Noah DeWald '20
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
By Clementine Chou '20
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
By Dayeeta Pal '27
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
2016
Charcoal
By Angela Liu '23
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
2019
Photograph/Scanned Image
By Jacqueline Garcia Peraza '21
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
2020
Analog Film
By May Levin '24
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
By Weber Lin '27
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
2022
Oil paint on canvas
By Christina Kent '22