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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Sky Walker '24

Sociology & Art Practice 2024 @skvwalk skvwalkart theblackhousesu

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Black Liberation Month Community Mural

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Rancho de San Luis, JAL, MX

This project was done on a ten-day summer trip to my family’s ranch.

Link to Website

2017

Environmental Photographs

By Kamilah Arteaga '22
Wilting tree

I wanted to render a tree during a vibrant morning on The Farm from a design perspective.

2016

Ink Resist

By Brooke Ferber '20
pink pink pink pink pink moon

This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″

2018

Oil paint on canvas

By Cairo Mo '20
Anatomy of the Vogue

Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.

Link to Website

2016

Colored Pencil

By Meagan Wu '18
Post-Election Blues

Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.

2024

Acrylic on Canvas

By Bryan Defjan '24
Buried

In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.

2023

Mixed Media: paper collage with ink and watercolor

By Darren Shiao '27
Can you read me?

This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.

2018

Photograph on Canvas, Embroidery

By Francesca Colombo Colombo '19
La Belleza Italiana

These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).

2017

Pen and Marker

By Ashi Agrawal '19
Summertime in Korea

This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.

2020

Watercolor

By Clementine Chou '20
ˋ-sunlit-ˎ

Warm summer portrait of girl reading.

Link to Website

2018

Photoshop

By Angela He '21
prayer

“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.

Link to Website

2021

Projection Installation

By Jianna So '22
Doorway to Stanford

India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.

2017

Enamel Paint

By Tyler Su '20
Beyond the Window

The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.

2017

acrylic on canvas

By Helena Zhang '22
Ocean View

Girl meets whale.

2017

Digital Illustration

By Helen He '23
Andromeda

The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?

2016

Charcoal on paper; flame on tracing paper

By Zhanpei Fang '19
Humanity in the operating room

These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.

2017

Digital photography

By Soraya Fereydooni '20
Art at Stanford

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
Wind

Released some restless energy onto paper with this portrait sketch.

2020

Graphite on Paper

By Phoebe Kimm '20
middle passage

A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″

2017

Oil paint on paper

By Cairo Mo '20
My Boy

How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?

2022

Acrylic on canvas

By Victoria Hill '20
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