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Student Artist
Computer Science HCI 2021 @zephybite
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
2018
Photograph on Canvas, Embroidery
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
2019
monotype on paper
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Link to Website
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
A portrait of a good dog who has traveled a very long way.
2020
Acrylic Paint on Canvas
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
Oil on canvas
Taken while walking in my hometown of Washington, D.C.
Photograph
I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.
2015
Digital Photograph
A faceless woman in a room of South Vietnamese soldiers
2022
Graphite on Paper
Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓
Photoshop
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
Interactive narrative horror game/file explorer experience
A mother lamb takes gentle care of her newborn.
Oil Paint on Canvas
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
Oil paint on paper
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
Graphite
An ongoing series attempting to create an emotive instant through color theory principles
Acrylic on Canvas