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These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
2018
Photograph of campus scenes
By Khuyen Le '21
Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students
2018
Digital photography prints
By Soraya Fereydooni '20
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
2016
Oil on canvas
By Vivienne Le '19
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
2017
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
By Vivienne Le '19
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
2020
Photography
By Melissa Boswell '21
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
2018
Graphite on Paper
By Francesca Colombo '19
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24
This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!
2021
Digital Photograph of Paper Collage
By D Fukunaga-Brates '25
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
2021
Acrylic on Canvas
By Sarah Dong '26
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
By Laura Anderson '21
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
By Helen Liu '20
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
2018
Graphite and watercolor on paper
By Ali Vaughan '19
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
By Lining Sun '18