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Angela He '21
Cool portrait of girl trying to keep in her tears.
2018
Photoshop
By Angela He '21
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
Photograph of Athletics
This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Link to Website
2020
Analog Film
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
Acrylic and Collage on Canvas 30 x 40 in
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
Wood Sculpture
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
This painting is a depiction of my first month here at Stanford.
Water Color on Paper
An abstract perspective of a cityscape.
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
2024
Gouache on Paper
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
Photograph
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
Blender 3D Render
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
Acrylic on Canvas
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
acrylic on canvas
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
Oil Paint on Canvas
Oh! The Puppet Show begins! Here I am the puppet master presenting the BOSP Poland Overseas Seminar with my puppet show I made entirely from scratch!
Photograph of Performance