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De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
By Maia Mosse '20
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
2016
Acrylic Paint on Canvas
By Angela Liu '23
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
2017
Photograph
By Donovan Tokuyama '20
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
2020
Photography
By Melissa Boswell '21
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
2017
Installation: printed plastic sheeting (pictorico), fishing wire
By Vivienne Le '19
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
2018
Photograph of Athletics
By Christian Ostberg '20
A surreal portrayal of the cost of modern designer fashion culture.
2015
Scratchboard
By Noah DeWald '20
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
By Noah DeWald '20
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
By Noah DeWald '20
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
2022
Oil paint on canvas
By Christina Kent '22
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
By Phoebe Kimm '20
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
2020
Oil Paint on Canvas
By Sreya Halder '23
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
By Alejandro Poler '19
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
2015
Mixed Media
By Noah DeWald '20
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
By Hannah Cha '25
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18