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Cairo Mo '20
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
2018
Oil paint and thread on canvas
By Cairo Mo '20
An abstract perspective of a cityscape.
2021
Water Color on Paper
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
BEAM Stanford-related photos
2019
Digital photographs
Oil on Canvas
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
2024
Gouache on Paper
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
Series of Photographs
A mother lamb takes gentle care of her newborn.
Oil Paint on Canvas
My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.
2023
Oil paint, acrylic paint, and IUD on wood panel
A self portrait done in the style of the Old Masters.
2014
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
Link to Website
Acrylic on Canvas
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.
2015
Digital Photograph
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
fine-tip pen and watercolor on paper
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
Flash Fiction and Digital Illustration
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Analog Film
This is a photo taken in the Main Quad.
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas