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Cairo Mo '20
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
2018
Oil paint and thread on canvas
By Cairo Mo '20
Experimentation with natural forms and light.
Photograph
Location: East Asia Library
2021
Digital Illustration
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
Digital Photograph
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.
2024
Four color Riso print
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Oil Paint on Canvas
A commentary on the fifth stage of grief: acceptance.
Acrylic on Canvas
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
Link to Website
2023
Photograph of Performance (solo play)
Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students
Digital photography prints
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
Acrylic Paint on Canvas
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
Sea Slug is a woodcut and the other two are etchings.
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
Black & white photography
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
This is a photo taken in the Main Quad.