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Laia Bent '25
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
2022
3D animation (Blender)
By Laia Bent '25
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
Location: Lathrop 24/7 Study Room
Digital Illustration
(No description)
Watercolor on Paper
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
This is about alienation and emotional expression as a stone, cold figure looks blankly to a wall of artificial expressions in a room.
2021
Digital 3D Render
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
Sculpture
A sense of colorful peace
2018
painting on computer
Two girls, Cloud and Moon, are safe in space.
Photoshop
Mount Daly in Snowmass, Colorado
Gouache paint on watercolor paper
Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.
2016
Acrylic Paint on Canvas
Winter 2017, I wrote my first song, ‘Something You Should Know’. After working on the lyrics, production and recording for two years here it is!
Link to Website
2019
Song available on all streaming platforms (spotify, apple music)
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
2020
Oil Paint on Canvas
Girl meets whale.
2017
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
acrylic and mixed media
Oil on Canvas
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
Ink Resist
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
Charcoal, white chalk on toned paper