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Laia Bent '25
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
2022
3D animation (Blender)
By Laia Bent '25
I was looking for a subject I could depict using my new ink pens, and this sculpture was perfect because it included lots of shadows and some colors.
2016
Ink Pen
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
Colored Pencil
Oil on Canvas
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
Oil Paint on Canvas
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
A self portrait done in the style of the Old Masters.
2014
I am lucky enough to witness Lagunita being a real lake.
2017
Photo
I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.
2015
Digital Photograph
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
Mixed Media
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
Link to Website
code poems
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas
I painted a face digitally, and I like frames, angels, and rocket ships.
Digital Art
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
Oil paint on canvas