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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Dayeeta Pal '27

Materials Science and Engineering (Ph.D) 2027 @https://www.instagram.com/paldayeeta/

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Cityscapes and Scenes

An Indian’s Journey to Stanford

City

Reflections

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Close Modal

She’ll make it.

Silhouette of a black woman, breathing her way through.

2020

Acrylic on Canvas

By Brandi Ransom '23

head in the clouds

Girl has a moment of clarity when her head is in the clouds.

2018

Photoshop

By Angela He '21

Forsaken

Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an

2022

Oil Paint on Canvas

By Apoorva Panidapu '27

Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25

Photos of Old Beijing

These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.

2019

monotype on paper

By Cathy Yang '20

a flower book

February is a gray month, but these flowers bloomed anyway.
Link to Artwork

2024

sublimation print on synthetic blue satin

By Alison Cao '26

Exotic Oriental Murder Mystery!

This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?

2017

Ink and print on wood

By Olivia Popp '20

Explosive Bloom

A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.

2021

Wood Sculpture

By Zaki Rob '25

Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By Jessica Yeung '21

The Church and the center of Stanford

This is the place no one would want to miss.

2017

Photo

By Lining Sun '18

Confirmation

No Description

2022

Watercolor on Paper

By Lily Thai '27

Green Library

As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18

Green Library -2

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18

closeted

In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.

Link to Website

2021

Projection Installation

By Jianna So '22

Portrait of a Glass, Empty (2020); Barriers (2021)

Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.

2021

Acrylic on canvas, some collage from a news story

By Vrinda Suresh '21

A Moment at the Louvre

This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.

2021

Acrylic on Canvas

By Sarah Dong '26

Cityscapes and Scenes

I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.

2022

Watercolor

By Dayeeta Pal '27

Static

I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.

2020

gouache on paper

By Katie Han '23

Stanford: a-map-without-borders

A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.

Link to Website

2018

Acrylic, Spray Paint, Vinyl, Sticker on Canvas

By Nick Love '20

The Ghosts of SKA

This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.

Link to Website

2020

Photography Series

By Victoria Chiek '22
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