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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Dayeeta Pal '27

Materials Science and Engineering (Ph.D) 2027 @https://www.instagram.com/paldayeeta/

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Cityscapes and Scenes

An Indian’s Journey to Stanford

City

Reflections

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Time to Spare

I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.

2016

Digital Photograph

By Connor Gilmore '21
Maasai Warriors

I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.

2016

Charcoal

By Angela Liu '23
Night Owl

Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.

2019

Acrylic on canvas

By Julia Gillette '20
Big Tycho

This is a portrait of a cat whom I love and cherish.

2019

Oil on canvas

By Cathy Yang '20
Dinner, Party

(No description)

2022

Watercolor on Paper

By Lily Thai '27
Lassie

I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.

2019

By Gunner Dongieux '21
Main Quad at Sundown

Location: Main Quad

2023

Digital Illustration

By Helen He '23
Lagunita

I am lucky enough to witness Lagunita being a real lake.

2017

Photo

By Lining Sun '18
the pith

“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.

Link to Website

2024

Flash Fiction and Digital Illustration

By Priyanka Gupta '25
Sonic Ovum

This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink.
Link to Artwork

2020

colored pencil, poetry

By Sam Howell Petersen '23
The Art of Binaural Beats

I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.

2020

Watercolor on Paper

By Marie Bland '23
Inside the church

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
Glitch, Beyond the Cracks

This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.

2020

Colored pencil

By Tracy Wei '26
Forsaken

Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an

2022

Oil Paint on Canvas

By Apoorva Panidapu '27
primavera sin cueva

This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.

2024

Four color Riso print

By Galia Santana-Oikawa '25
bubbleUp

The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.

2023

Algorithmic Art made with Processing

By Krystal Li '26
closeted

In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.

Link to Website

2021

Projection Installation

By Jianna So '22
Self-Portrait Mask

A sketched self-portrait replaced into its photographic context.

2020

Graphite on Paper, Photograph

By Phoebe Kimm '20
The claw (updated)

As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2

These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.

2020

Collage & ink pen

By Kyle Cromer '20
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