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Saturday, October 26
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Student Artist
STS 2025
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
2016
Acrylic on Canvas
This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.
2022
Pencil on paper
A series of photo edits of everyday moments at Stanford.
2017
Digital Art
“I’ve loved you since the day I met you”
2023
A cat in a Japanese restaurant.
2019
3D computer graphics
Night is when the imagination comes alive.
2020
Digital Illustration
As a landscape photographer, I like to see things in different light.
Photo with artistic editing
A classic San Francisco house is bathed in orange light at sunset.
Oil paint on panel
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
35mm Photography
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
acrylic on wood
“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast. Link to Artwork
2024
Watercolors and inkpen on mixed media paper
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink. Link to Artwork
colored pencil, poetry
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
Link to Website
3D Arduino installation, interactive poetry
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
2021
Acrylic Paint on Canvas
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
2018
Charcoal, white chalk on toned paper
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
Collage & ink pen
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
Boulder & Rope
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
Digital Collage