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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Hana Dao '25

STS 2025

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Motherhood Postponed till Further Notice

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Untitled

A ghostly woman draped in a silk shawl and pearls.

2022

Charcoal

By Jessica Lee '22
Nino

A portrait of a good dog who has traveled a very long way.

2020

Acrylic Paint on Canvas

By Anneke Claypool '21
My Boy

How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?

2022

Acrylic on canvas

By Victoria Hill '20
David

“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.

2018

Blender 3D Render

By Noah DeWald '20
Moss Landing

Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.

2017

Watercolor and Pencil

By Alberto Arvayo '18
˗ˏˋ safe ☽ ˎˊ˗

Two girls, Cloud and Moon, are safe in space.

2018

Photoshop

By Angela He '21
Tahoe Mountains and Sky

Indigo mountains and a somber gray sky are reflected in the clear water of Lake Tahoe.

2022

Oil paint on canvas

By Christina Kent '22
Revolutionary pleasure!

This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!

2021

Digital Photograph of Paper Collage

By D Fukunaga-Brates '25
SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

By Tyler Su '20
prayer

“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.

Link to Website

2021

Projection Installation

By Jianna So '22
Back Out

This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.

2020

India Ink on Paper

By Regina Kong '22
Grief

This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.

2017

Charcoal and Pencil on Paper

By Annie Ng '20
a flower book

February is a gray month, but these flowers bloomed anyway.
Link to Artwork

2024

sublimation print on synthetic blue satin

By Alison Cao '26
Let Her Eat Cake

I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.

2016

Ink Resist on Paper

By Brooke Ferber '20
Clarice

Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.

2020

Oil Paint on Canvas

By Sreya Halder '23
Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19
Hidden Gems

*sixth photograph of Hidden Gems series

2019

Series of Photographs

By Laura Anderson '21
Table for Two

This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.

2017

Adobe Photoshop Illustration

By Helen He '23
Do electric sheep dream of pet birds?

Androids may dream of electric sheep, and electric sheep …

2022

doodle

By Mingqi Shuai '26
Trying to Forgive

This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.

2022

Oil on canvas

By Jackie Liu '25
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