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Harbor
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
By Laura Anderson '21
Inside the church
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Queer Intimacy
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
By Bryan Defjan '24
Digital Future
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
After Class Hours
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
By Helen He '23
Say Cheese!
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
Exotic Oriental Murder Mystery!
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
By Olivia Popp '20
Mourning Window
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
2016
Acrylic on Canvas
By Noah DeWald '20
Can you read me?
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
2018
Photograph on Canvas, Embroidery
By Francesca Colombo Colombo '19
Memory
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
2018
Mixed Media
By Noah DeWald '20
Clam Song, Biter
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
2020
Digital inkjet print
By Harry Cole '20
one foot in the water
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
2016
Oil on canvas
By Vivienne Le '19
Untitled
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
Lightbulb of the Lightning Bugs
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
By Janice Li '24
Portrait of a Glass, Empty
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
Still Life of a Support System
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
By Bryan Defjan '24
bubbleUp
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
By Krystal Li '26