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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Zaki Rob '25

Undeclared 2025 @zakizchic

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I Have A Right To Show My Color, Darling

Explosive Bloom

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Sunset Studying 1

Location: Law School terrace

2020

Digital Illustration

đàn-ông.exe

Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.

Link to Website

2024

Video Art

By Han Dao '26
Real Men
Bioluminescence

Mimicking the beauty of bioluminescence.

Link to Website

2022

Digital Photography

By Katie Han '23
Stanford: a-map-without-borders

A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.

Link to Website

2018

Acrylic, Spray Paint, Vinyl, Sticker on Canvas

By Nick Love '20
Time to Spare

I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.

2016

Digital Photograph

By Connor Gilmore '21
The Quad

Quad is always changing amazingly.

2017

Photo

By Lining Sun '18
Genesis

This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.

2016

Wax Pastel on Wood

By Lia "Bear" Kim '21
Arches by Picasso

A sense of colorful peace

2018

painting on computer

By Lining Sun '18
VCA

v.c.a – an ongoing project and exploration of visual communication through abstraction

2016

Graphic Design

By Tyler Su '20
Trying to Forgive

This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.

2022

Oil on canvas

By Jackie Liu '25
Feminism!

This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!

2016

Digital art

By Katherine Liu '18
Áo Dài in Seven Parts

Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.

2023

Charcoal and Mixed Media on Salvaged Cotton and Organza

By Lily Thai '27
A Moment at the Louvre

This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.

2021

Acrylic Paint on Canvas

By Sarah Dong '26
More Than A Living Goddess

Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.

2022

Graphite

By Nisha Acharya '26
Glacier Portrait

I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.

2016

Mixed media (oil paint, charcoal, pastel, grass) on canvas

By Tyler Dunston '18
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23
Stanford

This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.

2018

Markers on paper

By Alejandro Poler '19
Untitled

A ghostly woman draped in a silk shawl and pearls.

2022

Charcoal

By Jessica Lee '22
Looking Up

Taken while walking in my hometown of Washington, D.C.

2020

Photograph

By Laura Anderson '21
Security Blanket

The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.

Link to Website

2019

Photography

By Kelsey Wang '22
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