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Student Artist
Undeclared 2022 @chicanikami
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Link to Website
2016
Photographs
Reflective watercolor painting after a trip to Tokyo.
Watercolor
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
Charcoal
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
2017
Oil paint and paper on paper
This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope. Link to Artwork
2023
Poetry
Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.
2019
Blender 3D render
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
2018
Graphite and watercolor on paper
A light spring shower wakes the soul. Inspired by the Adobe MAX + Inktober 2018 October 15th Prompt: light.
Photoshop
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas
This is a photo taken in the Main Quad.
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
Markers on paper
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
2020
Digital Illustration
(No description)
2022
Watercolor on Paper
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
Mimicking the beauty of bioluminescence.
Digital Photography
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
Oil paint on Canvas
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
Colored Pencil
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024