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Janice Li '24
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
By Janice Li '24
August on my family’s ranch in Jalisco, México.
Link to Website
2017
Environmental Photographs
16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.
2023
Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights
This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.
Acrylic Paint on Canvas
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in ChavÃn de Huántar.
Digital Visual Art
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
2019
monotype on paper
Indigo mountains and a somber gray sky are reflected in the clear water of Lake Tahoe.
2022
Oil paint on canvas
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
2014
Oil on canvas
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
Laser Cut Birchwood
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
2020
Digital Illustration
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Photo
Location: Main Quad
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
Digital Photograph
Girl meets whale.
A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.
Acrylic on Canvas
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
Pencil and paper
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Self portrait at the height of COVID and my own extraordinary depression.
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
2018
Acrylic and Collage on Canvas 30 x 40 in
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
Night is when the imagination comes alive.