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Janice Li '24
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
By Janice Li '24
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
The image gradually becomes extremely unrecognizable yet “perfect,” through the use of filters, as determined by the golden ratio of beauty.
2023
Acrylic Paint, Photography, and Photoshop on Cardstock
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
Mixed media (oil paint, charcoal, pastel, grass) on canvas
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
The Countour of White Sands NP
Photograph
A watercolor painting of Stanford Campus
Link to Website
Acrylic Painting
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
Acrylic Paint on Canvas
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
This piece shows how social media can lead to jealously through comparing yourself with what you see on the internet.
Paper, watercolor, tempera paint sticks, gouache, and Photoshop
BEAM Stanford-related photos
Digital photographs
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Still from a web series
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
oil on cnavs
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
This short film was submitted as part of my arts portfolio for my Stanford application
Short Film
Mimicking the beauty of bioluminescence.
Digital Photography
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink. Link to Artwork
2020
colored pencil, poetry
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
35mm Photography
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
A series of photo edits of everyday moments at Stanford.
Digital Art