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Janice Li '24
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
By Janice Li '24
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
Link to Website
2024
Flash Fiction and Digital Illustration
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
Original origami flowers on red and silver foil paper; Arranged with silk leaves
Experimentation with natural forms and light.
2018
Photograph
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
Digital Illustration
Episode 1 of an upcoming mystery micro-film series
2022
Short Film
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
Mixed Media
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
Oil on canvas
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
Collage & ink pen
Mimicking the beauty of bioluminescence.
Digital Photography
February is a gray month, but these flowers bloomed anyway. Link to Artwork
sublimation print on synthetic blue satin
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
Video Art
I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.
2016
Color Film
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
Wood Sculpture
Two girls, Cloud and Moon, are safe in space.
Photoshop
Quad is always changing amazingly.
2017
Photo
Taken while walking in my hometown of Washington, D.C.
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
Ink on Paper
Self portrait at the height of COVID and my own extraordinary depression.
Oil paint on canvas
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas