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Indigo mountains and a somber gray sky are reflected in the clear water of Lake Tahoe.
2022
Oil paint on canvas
By Christina Kent '22
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
By Cairo Mo '20
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
2016
Oil on canvas
By Vivienne Le '19
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
2016
Ink Resist on Paper
By Brooke Ferber '20
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
By Will Pangburn '29
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
2019
Acrylic on Canvas
By Sarah Dong '26
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
2017
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
By Vivienne Le '19
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
By Lining Sun '18
[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
By Meg McNulty '20
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
By Janice Li '24
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
By Syd Westley '21
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
By Jamie Seney '21