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Helen He '23
Location: East Asia Library
2021
Digital Illustration
By Helen He '23
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Link to Website
2020
Photography Series
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
Oil on Canvas
Bright orange poppies burst into the foreground framed by cool blue houses behind.
2022
Oil paint on panel
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life. Duration: 05:05
2018
Video Art
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
Shriram California photos
2019
Digital photographs
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
2024
Flash Fiction and Digital Illustration
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
Photography
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
Acrylic on canvas
A sense of colorful peace
painting on computer
Reflective watercolor painting after a trip to Tokyo.
Watercolor
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
oil on cnavs
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium. Link to Artwork
print
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
Girl has a moment of clarity when her head is in the clouds.
Photoshop