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Untitled
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
2018
oil on cnavs
By Cathy Yang '20
La Belleza Italiana
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
Flowers II
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
2014
Oil on canvas
By Shin Mei Chan '18
untitled (screen painting)
A medium exploration of painting on windows screens.
2018
window screens, oil paint
By Vivienne Le '19
Look Behind You
Impressions of animal magnetism and the collective unconscious.
2017
Digital Visual Art
By Andrew Lesh '19
Hidden Gems
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
By Laura Anderson '21
Self-portrait
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
By Phoebe Kimm '20
Burnout
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
Digital Illustration
By Felicity Huang '25
So Hysterical
My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.
2023
Oil paint, acrylic paint, and IUD on wood panel
By Jackie Liu '25
Princess Going Digital
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
By Malavika Kannan '24
Stanford Logo Photo Mosaic
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
Stanford: a-map-without-borders
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
California Dreaming: Echoes of Change through Analog Film
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
2020
Analog Film
By May Levin '24
Stanford
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
By Alejandro Poler '19
