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Annie Ng '20
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
2017
Charcoal and Pencil on Paper
By Annie Ng '20
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
Continuation of After Class Hours.
2020
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
Oil paint on paper
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
2016
Acrylic on Canvas
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
Mixed media (oil paint, charcoal, pastel, grass) on canvas
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
2018
Photograph of a physical collage (paper, printed image)
[how I avoid winter quarter: experiments with colors and a palette knife]
Oil Paint on Canvas
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
Link to Website
2024
Video Art (with sound)
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
This is the place no one would want to miss.
Photo
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
Photography
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
Watercolor
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
Nature Photography
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
India Ink on Paper
Taken while walking in my hometown of Washington, D.C.
Photograph
v.c.a – an ongoing project and exploration of visual communication through abstraction
Graphic Design
16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.
2023
Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights
I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.
gouache on paper
Oil on Canvas