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Annie Ng '20
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
2017
Charcoal and Pencil on Paper
By Annie Ng '20
Released some restless energy onto paper with this portrait sketch.
2020
Graphite on Paper
Night is when the imagination comes alive.
Digital Illustration
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
Warm summer portrait of girl reading.
Link to Website
2018
Photoshop
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
Interactive narrative horror game/file explorer experience
I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.
2015
Digital Photograph
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
Digital Collage
I created this piece in order to show a city full of life in contrast to one that is merely an outline.
2016
Acrylic on Paper
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
Oil on Canvas
A Joshua Tree, with its grotesque appearance, instantly demands attention.
Photograph of Landscape
A series of photo edits of everyday moments at Stanford.
Digital Art
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
Acrylic on Canvas
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
I use this artwork to ask, “What has become of our childhood innocence?”
2019
ink on paper, collage
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
Acrylic Paint on Canvas
I painted a face digitally, and I like frames, angels, and rocket ships.
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
Oil paint on canvas