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While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
2017
Photograph
By Julianna Yonis '21
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
2020
Photography
By Melissa Boswell '21
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
2018
Acrylic and Collage on Canvas 30 x 40 in
By Gunner Dongieux '21
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
2019
Oil on Canvas
By Regina Kong '22
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Oil Paint on Canvas
By Apoorva Panidapu '27
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
2018
Blender 3D Render
By Noah DeWald '20
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
By Mhar Tenorio '24
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
2018
Watercolor and black ink
By Alejandro Poler '19
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
By Olivia Popp '20
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
2018
Acrylic Paint on Canvas
By Susy Manrique '19
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
2016
Ink Resist on Paper
By Brooke Ferber '20
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
By Laura Anderson '21
I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
By Helen Liu '20