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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

Roble Arts Gym

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Cathy Yang '20

Art Practice 2020 @cat_yng

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People I Met Last Year

Figures in Ochre

Untitled

Big Tycho

Photos of Old Beijing

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from now on

This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.

2023

ink on rice paper; poetry

By Katie Han '23
cloudy with a chance of love

cloudy with a chance of love

2020

Digital illustration

By Elaine Park '21
A Matter of Time

A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.

2019

Acrylic Paint on Canvas

By Sarah Dong '26
Nangeli

The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.

2022

Mural

By Aatika Singh '28
Last Light over Coit Tower

The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.

2022

Oil paint on canvas

By Christina Kent '22
Photography

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22
Tree Study I

A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.

2018

Charcoal on Paper

By Noah DeWald '20
More Than A Living Goddess

Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.

2022

Graphite

By Nisha Acharya '26
Submersion

Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.

Link to Website

2015

Acrylic Paint on Canvas

By Meagan Wu '18
On How to Land a Kiss

This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork

2022

Writing

By Tyler Newman '25
Mirror in my mind

An exploration of nature’s healing power as an avenue for escapism and introspection.

2022

Ballpoint and pencil on paper

By Bryan Defjan '24
Figures in Ochre

These small paintings were quick, gestural sketches that explore the beauty of the feminine form.

2018

Oil on canvas

By Cathy Yang '20
head in the clouds

Girl has a moment of clarity when her head is in the clouds.

2018

Photoshop

By Angela He '21
Hidden Gems

*sixth photograph of Hidden Gems series

2019

Series of Photographs

By Laura Anderson '21
Salu-Salo (The Act of Eating Together)

This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.

2024

Monoprints on food wrapping paper, laser cut stencils

By Mhar Tenorio '24
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.

2020

Scanned magazine collage, colour pencils, and pen on Sketchbook

By Crystal Chen '22
Yanofsky’s Legacy

Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.

2018

Photograph

By Suzanne Ou '23
After Office Hours

Location: Main Quad

2020

Digital Illustration

By Helen He '23
Self Portrait

A self portrait done in the style of the Old Masters.

2014

Oil Paint on Canvas

By Francesca Colombo Colombo '19
Expressions

This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.

Link to Website

2016

Guitar recording with electronic drums and synths

By Amit Kohli '20
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