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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Cathy Yang '20

Art Practice 2020 @cat_yng

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Figures in Ochre

People I Met Last Year

Untitled

Big Tycho

Photos of Old Beijing

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Close Modal
“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”

A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.

2022

Digital

By Helena Zhang '22
Night Drawing

Night is when the imagination comes alive.

2020

Digital Illustration

By Helen He '23
Quarantine Paintings

These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.

2020

gouache (two images combined digitally)

By Katie Han '23
Melting Flesh

This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.

2022

3D animation (Blender)

By Laia Bent '25
Firenze

A colorful view of buildings and the sky over Florence (Firenze).

2014

Oil Paint on Canvas

By Francesca Colombo Colombo '19
Digital Youth

A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.

Link to Website

2021

Photography

By Bryan Defjan '24
closeted

In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.

Link to Website

2021

Projection Installation

By Jianna So '22
Consumed

This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.

2017

Ink on Paper

By Annie Ng '20
To my Mother’s Heart

This 3D, interactive piece represents my relationship with my immigrant other due to the shifting pressures of assimilation.

Link to Website

2023

Interactive 3D animation installation

By Hannah Cha '25
Ocean View

Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.

2018

Adobe Photoshop Illustration

By Helen He '23
America – You Confusing Beauty

Observing simple, everyday practices in a new country and being dumbfounded by them led me to write this piece on everyday norms and practices here
Link to Artwork

2022

Poetry

By Shlok Sampat '24
Sunset at Sutro Baths

A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.

2022

Oil paint on canvas

By Christina Kent '22
Venice

A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.

2018

Colored Pencil on Paper

By German Enik '22
I Am Home

This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.

2017

Oil on Canvas

By Francesca Colombo Colombo '19
Bh

2020

Oil on Canvas

By Nibha Akireddy '
The Art of Binaural Beats

I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.

2020

Watercolor on Paper

By Marie Bland '23
Ahina (Juhu, Mumbai – Home)

This painting is in honor of Ahina and all the women that spend years wishing for a day at school.

2017

46″ x 32”

By Vedika Kanchan '23
Study of Rodin Bust

This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.

2018

Charcoal, white chalk on toned paper

By Noah DeWald '20
Untitled

A faceless woman in a room of South Vietnamese soldiers

2022

Graphite on Paper

By Lily Thai '27
Andromeda

The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?

2016

Charcoal on paper; flame on tracing paper

By Zhanpei Fang '19
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