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Tyler Su '20
v.c.a – an ongoing project and exploration of visual communication through abstraction
2016
Graphic Design
By Tyler Su '20
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
Link to Website
Colored Pencil
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in ChavÃn de Huántar.
2017
Digital Visual Art
Episode 1 of an upcoming mystery micro-film series
2022
Short Film
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
Photography
Lucky to witness a green Dish.
Photo
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
2018
Oil paint on canvas
A watercolor painting of Stanford Campus
Acrylic Painting
A sense of colorful peace
painting on computer
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
Colored Pencil on Paper
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
I painted a face digitally, and I like frames, angels, and rocket ships.
Digital Art
A colorful view of buildings and the sky over Florence (Firenze).
2014
Oil Paint on Canvas
This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.
Guitar recording with electronic drums and synths
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
Oil on canvas
Taken while walking in my hometown of Washington, D.C.
Photograph
Quad is always changing amazingly.
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015