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Tracy Wei '26
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
2020
Colored pencil
By Tracy Wei '26
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
Link to Website
Photography
Shriram California photos
2019
Digital photographs
(No description)
2022
Watercolor on Paper
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
2017
Watercolor and Pencil
Hide my anger behind flowers // my anxiety behind moths // my sadness behind â–“â–“â–“
2018
Photoshop
A three panel survey of a new environment.
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
The ocean stirs the heart, inspires the imagination and brings eternal joy to the soul. –Robert Wyland
2023
Digital Media – Made in Procreate for Apple iPad
Girl meets whale.
These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
Photograph of campus scenes
Impressions of animal magnetism and the collective unconscious.
Digital Visual Art
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
Oil paint on canvas
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
Continuation of After Class Hours.
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
Acrylic Paint on Canvas
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
This short film was submitted as part of my arts portfolio for my Stanford application
2021
Short Film
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
Graphite
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas