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Saturday, October 26
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Tracy Wei '26
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
2020
Colored pencil
By Tracy Wei '26
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
2018
Acrylic Paint on Canvas
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
Oil on canvas
A mother lamb takes gentle care of her newborn.
2019
Oil Paint on Canvas
A surreal portrayal of the cost of modern designer fashion culture.
2015
Scratchboard
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
Collage & ink pen
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
Acrylic gouache on Yupo Polypropylene Paper
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
Acrylic on canvas
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
“I’ve loved you since the day I met you”
2023
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
Episode 1 of an upcoming mystery micro-film series
Link to Website
2022
Short Film
This is a photo taken in the Main Quad.
“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.
Projection Installation
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
Oil paint on canvas
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
Interactive narrative horror game/file explorer experience
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Photo
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
Graphite