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Vedika Kanchan '23
“I’ve loved you since the day I met you”
2023
Acrylic on Canvas
By Vedika Kanchan '23
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
A three panel survey of a new environment.
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
Girl meets whale.
2017
Digital Illustration
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
2019
Collage, ink pen
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Link to Website
Still from a web series
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
Serenity from within results from letting go.
2014
Watercolor
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
2024
Video Art (with sound)
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life. Duration: 05:05
Video Art
Experimentation with natural forms and light.
Photograph
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
Taken at Jasper Ridge Biological Preserve during one of the field trips of MI 70Q: Photographing Nature.
I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
Digital Photographs
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
A commentary on the fifth stage of grief: acceptance.
2021
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
monotype on paper