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Harbor
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
By Laura Anderson '21
Post-Election Blues
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
By Bryan Defjan '24
Green Library -3
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
By Lining Sun '18
Symbiosis
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
By Kimberly Te '20
Phone Handscapes
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
2019
iPhone photographs, collaged on Photoshop
By Katie Han '23
At the Dinner Table
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
Untitled
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
Beyond the Window
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
2017
acrylic on canvas
By Helena Zhang '22
View to a Kill
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
2018
Acrylic and Collage on Canvas 30 x 40 in
By Gunner Dongieux '21
Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
By Kyle Cromer '20
Back Out
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
Moral Support
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
EXPLOSIONS
This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
By Constantinos Gallis '24
The claw (updated)
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Light Shower
A light spring shower wakes the soul.
Inspired by the Adobe MAX + Inktober 2018 October 15th Prompt: light.
2019
Photoshop
By Tianxing Ma '19
Photography
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
By Yifei He '22